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Breves poemas sonoros

by Pablo Díaz

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Breves poemas sonoros que intentan escuchar estos nuevos tiempos.

Registrado unas semanas antes de que comience el aislamiento social. Durante una semana de Febrero decidí ir al parque todos los días. A las nueve de la mañana comenzaba a investigar sonoridades con un set que me llevaba en la bicicleta. Me intentaba rodear del entorno más natural que tengo en el barrio, y el Parque Chacabuco era la representación más clara de ese entorno. Allí me rodeaban pájaros (cotorras en especial), bodeadoras, regadores, paseadorxs de perros y paseadorxs de si mismxs.
Una vez que comenzó el aislamiento social, volví a escuchar el material que había registrado e hice una recopilación de lo que más me interesaba. De esa edición quedaron seis breves poemas sonoros que están acompañados por unos breves textos/reflexiones sobre la escucha y la ausencia de la misma en los parques.

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Recorded some weeks before the lockdown, at Parque Chacabuco, Buenos Aires, in February 2020. 
This album is the recording of some improvisations I played during five days of a week, every morning, at Parque Chacabuco, which is a beautiful park close to my home. 
Some weeks after these performances the lockdown started and the park became empty. We could walk around it but we couldn't enter. This situation took me to re-listen all the tracks, edit some pieces, and write some poems about the emptiness of sound in the parks; the emptiness of listening there. 


Pablo Díaz: floor tom and sound objects

Recorded and edited by Pablo Díaz
Cover design, photos and texts by Pablo Díaz
Produced by Nendo Dango Records

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released December 3, 2020

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NendoDango Records Buenos Aires, Argentina

Nendo Dango arises to gather not only our music, but also to show a way to reach it, a way of construction in favor of the collective. We believe that sound is like a nendo dango capsule, within all possibilities; every breath of each artist is crossed and transmuted, being one towards oneness, revealing unique and infinite sound-eco-system.

By Miguel Crozzoli, Paula Shocron and Pablo Díaz
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