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La Melod​í​a del Idioma

by Alexis Perepelycia, Albert Cirera

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1.
2.
Litoral 09:28
3.
Espinas 08:45

about

Este es el resultado obtenido de la suma de giros lingüísticos de Albert Cirera (España) y Alexis Perepelycia (Argentina).
Reunidos por primera vez en un encuentro tan fortuito como fugaz: Albert pasó un día por rosario, ambos tocaron juntos en el ciclo de improvisación all free! y al día siguiente grabaron estas músicas.
Como una explosión, mezcla de ansiedades y certezas la música salió así, de una y sin tapujos, sincera y visceral.
El lenguaje en tanto que entidad viva evoluciona constantemente, de otro modo moriría. La melodía del idioma también: puja constantemente por devenir sonido en movimiento, elementos de una estructura que se construye a cada instante, se inventa y se reinventa, de otro modo moriría.
En formato de dúo acústico: tambores y metales - una fanfarria con innumerables semblanzas, pero con una búsqueda propia.

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"Another ingenious saxophone-drums duo pf Albert Cirera, very different from Duot, yet equally creative and innovative. During his visi to Argentina in 2019, Albert encounters here a phenomenal Argentinian drummer Alexis Perepelycia. They play three tracks, all very abstract and very expressive,d to compare to anything I know. Maybe some recordings of Evan Parker have similar spirit -- listen to the opening "Surubí frito". "Litoral" is on the lyrical free improvisation side. More quiet an dpeaceful, contains nevertheless incredible emotional load. The best, however, is the closing, the most "traditional free jazz" track, "Espinas". The album deserves ***, the only drawback is the total length of it: only 25 minutes."
(Maciej Lewenstein)

credits

released December 3, 2020

Albert Cirera - saxophone
Alexis Perepelycia - drums

Recorded, mixed and mastered by Alexis Perepelycia at La Rana Estudio, November 21, 2019, Rosario, Argentina.

Photography: Macaco Ph
Design: Atlántico Sur + Amidea Clotet

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NendoDango Records Buenos Aires, Argentina

Nendo Dango arises to gather not only our music, but also to show a way to reach it, a way of construction in favor of the collective. We believe that sound is like a nendo dango capsule, within all possibilities; every breath of each artist is crossed and transmuted, being one towards oneness, revealing unique and infinite sound-eco-system.

By Miguel Crozzoli, Paula Shocron and Pablo Díaz
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